http://cc.practices.tools/wiki/index.php?action=history&feed=atom&title=Content_Form%3AAPRJA_13_Kendal_Beynon 2026-04-25T11:48:06Z Revision history for this page on the wiki MediaWiki 1.45.1 http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4450&oldid=prev 2024-10-29T11:13:35Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:13, 29 October 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l78">Line 78:</td> <td colspan="2" class="diff-lineno">Line 78:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the contemporary landscape of increasingly AI-generated media, the homogenous nature of digital content can be offset by these DIY practices, which carve out alternative spaces that celebrate diversity and individuality. AI-driven algorithms tend to prioritise content that aligns with dominant trends and consumerist interests (Sarker 158). In contrast, DIY computational publishing practices facilitate the exploration of authenticity and creativity, offering a place for those seeking to express their identities and ideas outside the confines of mainstream digital culture, albeit, by learning a host of technical skills. Ultimately, the intersection of zines and digital DIY culture illustrates a broader movement towards reclaiming creative and communicative agency in an increasingly smooth and familiar digital landscape. By embracing the principles of DIY culture, one can create a digital ecosystem that celebrates individuality, fosters community, and by recognising and supporting these grassroots efforts there is the potential to maintain a democratic and participatory digital culture.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the contemporary landscape of increasingly AI-generated media, the homogenous nature of digital content can be offset by these DIY practices, which carve out alternative spaces that celebrate diversity and individuality. AI-driven algorithms tend to prioritise content that aligns with dominant trends and consumerist interests (Sarker 158). In contrast, DIY computational publishing practices facilitate the exploration of authenticity and creativity, offering a place for those seeking to express their identities and ideas outside the confines of mainstream digital culture, albeit, by learning a host of technical skills. Ultimately, the intersection of zines and digital DIY culture illustrates a broader movement towards reclaiming creative and communicative agency in an increasingly smooth and familiar digital landscape. By embracing the principles of DIY culture, one can create a digital ecosystem that celebrates individuality, fosters community, and by recognising and supporting these grassroots efforts there is the potential to maintain a democratic and participatory digital culture.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&lt;div class="page-break"&gt;&lt;/div&gt;</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Works cited ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Works cited ==</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4385:rev-4450:php=table --> </table>

Simoon http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4385&oldid=prev 2024-10-15T09:56:25Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:56, 15 October 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l16">Line 16:</td> <td colspan="2" class="diff-lineno">Line 16:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Continuing this train of thought, this paper puts forward the argument that certain computational publishing practices act as a digital counterpoint and parallel to their physical peer, the zine. Within the context of this research, computational publishing practices refers to personal homepages and self-sustaining internet communities, and feminist server practices. The use of the term &#039;computational publishing&#039; refers to practices of self-publishing both on a personal and collaborative level, while also taking into consideration the open-source nature of code repositories within feminist servers. Both mediums of a countercultural movement, zines and DIY computational publishing practices offer a space to explore the formation of identity, the construction of networks and communities and also aim to reexamine and reconfigure modes of production and the role of labour within these amateur practices. This paper aims to chart the similarities and connections that link the two practices and explore how they occupy the same fundamental space in opposition to dominant society.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Continuing this train of thought, this paper puts forward the argument that certain computational publishing practices act as a digital counterpoint and parallel to their physical peer, the zine. Within the context of this research, computational publishing practices refers to personal homepages and self-sustaining internet communities, and feminist server practices. The use of the term &#039;computational publishing&#039; refers to practices of self-publishing both on a personal and collaborative level, while also taking into consideration the open-source nature of code repositories within feminist servers. Both mediums of a countercultural movement, zines and DIY computational publishing practices offer a space to explore the formation of identity, the construction of networks and communities and also aim to reexamine and reconfigure modes of production and the role of labour within these amateur practices. This paper aims to chart the similarities and connections that link the two practices and explore how they occupy the same fundamental space in opposition to dominant society.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== Personalising <del style="font-weight: bold; text-decoration: none;">identity </del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== Personalising <ins style="font-weight: bold; text-decoration: none;">Identity </ins>==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zines are commonly crafted by individuals from vastly diverse backgrounds, but one thing that links them all is their self-proclaimed title of &#039;losers&#039;. In adopting this moniker, zinesters identify themselves in opposition to mainstream society. Disenfranchised from the prescribed representation offered in traditional media forms, zinemakers operate within the frame of alienation to establish self as an act of defiance. As Duncombe writes, zines are a &quot;haven for misfits&quot; (22). Often marginalised in society, feeling as if their power and control over dominant structures is non-existent, these publications offer an opportunity to make themselves visible and stake a claim in the world through their personal experiences and individual interpretations of the society around them. A particular genre of zine called the personal zine, more commonly known as the &#039;perzine&#039;, is a type of zine that outweighs the subjective over the objective and places the utmost importance on personal interpretation. In other words, perzines aim to express pure honesty on the part of the zinemaker. This often is shown through the rebellion against polished and perfect writing styles in favour of the vernacular and handwritten. The majority of the content of perzines aims to narrate the personal and the mundane, recounting everyday stories as an attempt to shed light on the unspoken. Perzines are often referred to as &quot;the voice of democracy&quot; (Duncombe 29), a way to illuminate difference while also sharing common experiences of those living outside of society, all within the comfort of their bedroom.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zines are commonly crafted by individuals from vastly diverse backgrounds, but one thing that links them all is their self-proclaimed title of &#039;losers&#039;. In adopting this moniker, zinesters identify themselves in opposition to mainstream society. Disenfranchised from the prescribed representation offered in traditional media forms, zinemakers operate within the frame of alienation to establish self as an act of defiance. As Duncombe writes, zines are a &quot;haven for misfits&quot; (22). Often marginalised in society, feeling as if their power and control over dominant structures is non-existent, these publications offer an opportunity to make themselves visible and stake a claim in the world through their personal experiences and individual interpretations of the society around them. A particular genre of zine called the personal zine, more commonly known as the &#039;perzine&#039;, is a type of zine that outweighs the subjective over the objective and places the utmost importance on personal interpretation. In other words, perzines aim to express pure honesty on the part of the zinemaker. This often is shown through the rebellion against polished and perfect writing styles in favour of the vernacular and handwritten. The majority of the content of perzines aims to narrate the personal and the mundane, recounting everyday stories as an attempt to shed light on the unspoken. Perzines are often referred to as &quot;the voice of democracy&quot; (Duncombe 29), a way to illuminate difference while also sharing common experiences of those living outside of society, all within the comfort of their bedroom.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l35">Line 35:</td> <td colspan="2" class="diff-lineno">Line 35:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In short, both zines and homepages become a space in which people can experiment with identity, subcultural ideas, and their relation to politics, to be shared amongst like-minded peers. This act of sharing creates fertile ground for a wider network of individuals with similar goals of reconstructing their own identities, while also encouraging the formulation of their own ideals from the shared consciousness of the community. While zines are the fruit of individuals disenfranchised from the wider mainstream society, they become a springboard into larger groups merging into a cohesive community space.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In short, both zines and homepages become a space in which people can experiment with identity, subcultural ideas, and their relation to politics, to be shared amongst like-minded peers. This act of sharing creates fertile ground for a wider network of individuals with similar goals of reconstructing their own identities, while also encouraging the formulation of their own ideals from the shared consciousness of the community. While zines are the fruit of individuals disenfranchised from the wider mainstream society, they become a springboard into larger groups merging into a cohesive community space.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== Building and <del style="font-weight: bold; text-decoration: none;">sharing </del>the <del style="font-weight: bold; text-decoration: none;">network </del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== Building and <ins style="font-weight: bold; text-decoration: none;">Sharing </ins>the <ins style="font-weight: bold; text-decoration: none;">Network </ins>==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Amongst the alienation felt from being underrepresented in the dominant societal structures, it comes as little surprise that zinemakers often opt for creating their own virtual communities via the zines they publish. In an interview with Duncombe, zinemaker Arielle Greenberg stated &quot;People my age... feel very separate and kind of floating and adrift&quot;, this is often counteracted by integrating oneself within a zine community. Traditionally within zine culture, this takes the form of letters from readers to writers, and reviews of other zines that become the very fabric, or content, of the zine themselves. This allows the zine to transform into a collaborative space that hosts more than a singular voice, effectively invoking the feeling of community. This method of forming associations creates an alternative communication system, also through the practice of zine distribution itself. For example, one subgenre of zines is aptly named &#039;network zines&#039;, and their contents entirely comprise reviews of zines recommended by their readership.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Amongst the alienation felt from being underrepresented in the dominant societal structures, it comes as little surprise that zinemakers often opt for creating their own virtual communities via the zines they publish. In an interview with Duncombe, zinemaker Arielle Greenberg stated &quot;People my age... feel very separate and kind of floating and adrift&quot;, this is often counteracted by integrating oneself within a zine community. Traditionally within zine culture, this takes the form of letters from readers to writers, and reviews of other zines that become the very fabric, or content, of the zine themselves. This allows the zine to transform into a collaborative space that hosts more than a singular voice, effectively invoking the feeling of community. This method of forming associations creates an alternative communication system, also through the practice of zine distribution itself. For example, one subgenre of zines is aptly named &#039;network zines&#039;, and their contents entirely comprise reviews of zines recommended by their readership.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4383:rev-4385:php=table --> </table>

Geoffcox http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4383&oldid=prev 2024-10-15T09:51:39Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:51, 15 October 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l16">Line 16:</td> <td colspan="2" class="diff-lineno">Line 16:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Continuing this train of thought, this paper puts forward the argument that certain computational publishing practices act as a digital counterpoint and parallel to their physical peer, the zine. Within the context of this research, computational publishing practices refers to personal homepages and self-sustaining internet communities, and feminist server practices. The use of the term &#039;computational publishing&#039; refers to practices of self-publishing both on a personal and collaborative level, while also taking into consideration the open-source nature of code repositories within feminist servers. Both mediums of a countercultural movement, zines and DIY computational publishing practices offer a space to explore the formation of identity, the construction of networks and communities and also aim to reexamine and reconfigure modes of production and the role of labour within these amateur practices. This paper aims to chart the similarities and connections that link the two practices and explore how they occupy the same fundamental space in opposition to dominant society.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Continuing this train of thought, this paper puts forward the argument that certain computational publishing practices act as a digital counterpoint and parallel to their physical peer, the zine. Within the context of this research, computational publishing practices refers to personal homepages and self-sustaining internet communities, and feminist server practices. The use of the term &#039;computational publishing&#039; refers to practices of self-publishing both on a personal and collaborative level, while also taking into consideration the open-source nature of code repositories within feminist servers. Both mediums of a countercultural movement, zines and DIY computational publishing practices offer a space to explore the formation of identity, the construction of networks and communities and also aim to reexamine and reconfigure modes of production and the role of labour within these amateur practices. This paper aims to chart the similarities and connections that link the two practices and explore how they occupy the same fundamental space in opposition to dominant society.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== Personalising <del style="font-weight: bold; text-decoration: none;">Identity </del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== Personalising <ins style="font-weight: bold; text-decoration: none;">identity </ins>==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zines are commonly crafted by individuals from vastly diverse backgrounds, but one thing that links them all is their self-proclaimed title of &#039;losers&#039;. In adopting this moniker, zinesters identify themselves in opposition to mainstream society. Disenfranchised from the prescribed representation offered in traditional media forms, zinemakers operate within the frame of alienation to establish self as an act of defiance. As Duncombe writes, zines are a &quot;haven for misfits&quot; (22). Often marginalised in society, feeling as if their power and control over dominant structures is non-existent, these publications offer an opportunity to make themselves visible and stake a claim in the world through their personal experiences and individual interpretations of the society around them. A particular genre of zine called the personal zine, more commonly known as the &#039;perzine&#039;, is a type of zine that outweighs the subjective over the objective and places the utmost importance on personal interpretation. In other words, perzines aim to express pure honesty on the part of the zinemaker. This often is shown through the rebellion against polished and perfect writing styles in favour of the vernacular and handwritten. The majority of the content of perzines aims to narrate the personal and the mundane, recounting everyday stories as an attempt to shed light on the unspoken. Perzines are often referred to as &quot;the voice of democracy&quot; (Duncombe 29), a way to illuminate difference while also sharing common experiences of those living outside of society, all within the comfort of their bedroom.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zines are commonly crafted by individuals from vastly diverse backgrounds, but one thing that links them all is their self-proclaimed title of &#039;losers&#039;. In adopting this moniker, zinesters identify themselves in opposition to mainstream society. Disenfranchised from the prescribed representation offered in traditional media forms, zinemakers operate within the frame of alienation to establish self as an act of defiance. As Duncombe writes, zines are a &quot;haven for misfits&quot; (22). Often marginalised in society, feeling as if their power and control over dominant structures is non-existent, these publications offer an opportunity to make themselves visible and stake a claim in the world through their personal experiences and individual interpretations of the society around them. A particular genre of zine called the personal zine, more commonly known as the &#039;perzine&#039;, is a type of zine that outweighs the subjective over the objective and places the utmost importance on personal interpretation. In other words, perzines aim to express pure honesty on the part of the zinemaker. This often is shown through the rebellion against polished and perfect writing styles in favour of the vernacular and handwritten. The majority of the content of perzines aims to narrate the personal and the mundane, recounting everyday stories as an attempt to shed light on the unspoken. Perzines are often referred to as &quot;the voice of democracy&quot; (Duncombe 29), a way to illuminate difference while also sharing common experiences of those living outside of society, all within the comfort of their bedroom.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l35">Line 35:</td> <td colspan="2" class="diff-lineno">Line 35:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In short, both zines and homepages become a space in which people can experiment with identity, subcultural ideas, and their relation to politics, to be shared amongst like-minded peers. This act of sharing creates fertile ground for a wider network of individuals with similar goals of reconstructing their own identities, while also encouraging the formulation of their own ideals from the shared consciousness of the community. While zines are the fruit of individuals disenfranchised from the wider mainstream society, they become a springboard into larger groups merging into a cohesive community space.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In short, both zines and homepages become a space in which people can experiment with identity, subcultural ideas, and their relation to politics, to be shared amongst like-minded peers. This act of sharing creates fertile ground for a wider network of individuals with similar goals of reconstructing their own identities, while also encouraging the formulation of their own ideals from the shared consciousness of the community. While zines are the fruit of individuals disenfranchised from the wider mainstream society, they become a springboard into larger groups merging into a cohesive community space.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== Building and <del style="font-weight: bold; text-decoration: none;">Sharing </del>the <del style="font-weight: bold; text-decoration: none;">Network </del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== Building and <ins style="font-weight: bold; text-decoration: none;">sharing </ins>the <ins style="font-weight: bold; text-decoration: none;">network </ins>==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Amongst the alienation felt from being underrepresented in the dominant societal structures, it comes as little surprise that zinemakers often opt for creating their own virtual communities via the zines they publish. In an interview with Duncombe, zinemaker Arielle Greenberg stated &quot;People my age... feel very separate and kind of floating and adrift&quot;, this is often counteracted by integrating oneself within a zine community. Traditionally within zine culture, this takes the form of letters from readers to writers, and reviews of other zines that become the very fabric, or content, of the zine themselves. This allows the zine to transform into a collaborative space that hosts more than a singular voice, effectively invoking the feeling of community. This method of forming associations creates an alternative communication system, also through the practice of zine distribution itself. For example, one subgenre of zines is aptly named &#039;network zines&#039;, and their contents entirely comprise reviews of zines recommended by their readership.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Amongst the alienation felt from being underrepresented in the dominant societal structures, it comes as little surprise that zinemakers often opt for creating their own virtual communities via the zines they publish. In an interview with Duncombe, zinemaker Arielle Greenberg stated &quot;People my age... feel very separate and kind of floating and adrift&quot;, this is often counteracted by integrating oneself within a zine community. Traditionally within zine culture, this takes the form of letters from readers to writers, and reviews of other zines that become the very fabric, or content, of the zine themselves. This allows the zine to transform into a collaborative space that hosts more than a singular voice, effectively invoking the feeling of community. This method of forming associations creates an alternative communication system, also through the practice of zine distribution itself. For example, one subgenre of zines is aptly named &#039;network zines&#039;, and their contents entirely comprise reviews of zines recommended by their readership.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4276:rev-4383:php=table --> </table>

Geoffcox http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4276&oldid=prev 2024-09-19T12:23:38Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:23, 19 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Kendal Beynon '''</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Kendal Beynon '''</del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&lt;span class=&quot;running-header&quot;&gt;Zines and Computational Publishing Practices&lt;/span&gt;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&lt;span class=&quot;running-header&quot;&gt;Zines and Computational Publishing Practices&lt;/span&gt;</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4238:rev-4276:php=table --> </table>

Simoon http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4238&oldid=prev 2024-09-07T12:56:06Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:56, 7 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td> <td colspan="2" class="diff-lineno">Line 2:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Kendal Beynon &#039;&#039;&#039;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Kendal Beynon &#039;&#039;&#039;</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&lt;span class="running-header"&gt;Zines and Computational Publishing Practices<del style="font-weight: bold; text-decoration: none;">: A Countercultural Primer</del>&lt;/span&gt;</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&lt;span class="running-header"&gt;Zines and Computational Publishing Practices&lt;/span&gt;</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>= Zines and Computational Publishing Practices =</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>= Zines and Computational Publishing Practices =</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4225:rev-4238:php=table --> </table>

Geoffcox http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4225&oldid=prev 2024-09-07T11:46:24Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:46, 7 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Kendal Beynon &#039;&#039;&#039;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Kendal Beynon &#039;&#039;&#039;</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&lt;span class="running-header"&gt;Zines and Computational Publishing Practices: A Countercultural Primer&lt;/span&gt;</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>= Zines and Computational Publishing Practices =</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>= Zines and Computational Publishing Practices =</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4216:rev-4225:php=table --> </table>

Simoon http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4216&oldid=prev 2024-09-07T10:51:20Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:51, 7 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l39">Line 39:</td> <td colspan="2" class="diff-lineno">Line 39:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This phenomenon is exemplified in the establishment of web rings online. Coined in 1994 by Denis Howe&#039;s EUROPa (Expanding Unidirectional Ring of Pages), the term &#039;web ring&#039; refers to a navigational ring of related pages. While initially, this practice gained traction for search engine rankings, it evolved into a more social context during the mid-1990s. Personal homepages linked to the websites of friends or community members, fostering a network of interconnected sites. In a space in which zinemakers are in opposition to the dictated mode of media publishing, the web ring offers an alternative way of organising webpages as curated by an individual entity, devoid of hierarchy and innate power structures from an overarching corporation, and places the power of promotion into the hands of the site-builders themselves, and extends to the members of the wider community.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This phenomenon is exemplified in the establishment of web rings online. Coined in 1994 by Denis Howe&#039;s EUROPa (Expanding Unidirectional Ring of Pages), the term &#039;web ring&#039; refers to a navigational ring of related pages. While initially, this practice gained traction for search engine rankings, it evolved into a more social context during the mid-1990s. Personal homepages linked to the websites of friends or community members, fostering a network of interconnected sites. In a space in which zinemakers are in opposition to the dictated mode of media publishing, the web ring offers an alternative way of organising webpages as curated by an individual entity, devoid of hierarchy and innate power structures from an overarching corporation, and places the power of promotion into the hands of the site-builders themselves, and extends to the members of the wider community.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 4.jpg|thumb|<del style="font-weight: bold; text-decoration: none;">400px</del>|Figure 4: Factsheet Five, the most common network zine. This zine’s primary function is to share and review other zines as a way to showcase the network, not unlike a web ring.]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 4.jpg|thumb|<ins style="font-weight: bold; text-decoration: none;">360px</ins>|Figure 4: Factsheet Five, the most common network zine. This zine’s primary function is to share and review other zines as a way to showcase the network, not unlike a web ring.]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 5.jpg|thumb|<del style="font-weight: bold; text-decoration: none;">400px</del>|Figure 5: A selection of early web rings, curated by the owner of the website to promote certain pages that may share similar themes, ideologies, etc.]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 5.jpg|thumb|<ins style="font-weight: bold; text-decoration: none;">360px</ins>|Figure 5: A selection of early web rings, curated by the owner of the website to promote certain pages that may share similar themes, ideologies, etc.]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The importance of community, or the more favoured term, network, within the zinemaking practice is held in high regard. Due to its non-geographical nature or sense of place, the zines themselves act as a non-spatial network in which to foster this community. Emulating this concept of the medium as the community space itself, online communities also tend to reside within the confines of the platforms or forums that they operate within. For example, many contemporary internet communities dwell in parts of preexisting mainstream social media platforms such as Discord or TikTok, however, their use of these platforms is a more alternative approach than the intended use prescribed by the developers. Primarily using the gaming platform Discord as an example, countercultural communities create servers in which to disseminate and share resources through building topics within the server to house how-to guides and collect useful links to help facilitate handmade approaches to computational publishing practices. The nature of the server is to promote exchange and to share opinions on a wide array of topics, ranging from politics to typographical elements. These servers are typically composed of amateur users rather than professional web designers, fostering an environment where the swapping of knowledge and skills is encouraged. This continuous exchange of information and expertise creates a common vernacular, a shared language, and a set of practices that are distinct to the community. This not only develops the knowledge made available but also strengthens the bonds within the community, as members rely on and support one another in their collective pursuit of a more democratised digital space. In an online social landscape in which the promotion of self remains at the forefront, this act of distribution of knowledge indicates the existence of a participatory culture as opposed to an individualistic one, all united in shared beliefs and goals.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The importance of community, or the more favoured term, network, within the zinemaking practice is held in high regard. Due to its non-geographical nature or sense of place, the zines themselves act as a non-spatial network in which to foster this community. Emulating this concept of the medium as the community space itself, online communities also tend to reside within the confines of the platforms or forums that they operate within. For example, many contemporary internet communities dwell in parts of preexisting mainstream social media platforms such as Discord or TikTok, however, their use of these platforms is a more alternative approach than the intended use prescribed by the developers. Primarily using the gaming platform Discord as an example, countercultural communities create servers in which to disseminate and share resources through building topics within the server to house how-to guides and collect useful links to help facilitate handmade approaches to computational publishing practices. The nature of the server is to promote exchange and to share opinions on a wide array of topics, ranging from politics to typographical elements. These servers are typically composed of amateur users rather than professional web designers, fostering an environment where the swapping of knowledge and skills is encouraged. This continuous exchange of information and expertise creates a common vernacular, a shared language, and a set of practices that are distinct to the community. This not only develops the knowledge made available but also strengthens the bonds within the community, as members rely on and support one another in their collective pursuit of a more democratised digital space. In an online social landscape in which the promotion of self remains at the forefront, this act of distribution of knowledge indicates the existence of a participatory culture as opposed to an individualistic one, all united in shared beliefs and goals.</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4215:rev-4216:php=table --> </table>

Simoon http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4215&oldid=prev 2024-09-07T10:49:47Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:49, 7 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l39">Line 39:</td> <td colspan="2" class="diff-lineno">Line 39:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This phenomenon is exemplified in the establishment of web rings online. Coined in 1994 by Denis Howe&#039;s EUROPa (Expanding Unidirectional Ring of Pages), the term &#039;web ring&#039; refers to a navigational ring of related pages. While initially, this practice gained traction for search engine rankings, it evolved into a more social context during the mid-1990s. Personal homepages linked to the websites of friends or community members, fostering a network of interconnected sites. In a space in which zinemakers are in opposition to the dictated mode of media publishing, the web ring offers an alternative way of organising webpages as curated by an individual entity, devoid of hierarchy and innate power structures from an overarching corporation, and places the power of promotion into the hands of the site-builders themselves, and extends to the members of the wider community.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This phenomenon is exemplified in the establishment of web rings online. Coined in 1994 by Denis Howe&#039;s EUROPa (Expanding Unidirectional Ring of Pages), the term &#039;web ring&#039; refers to a navigational ring of related pages. While initially, this practice gained traction for search engine rankings, it evolved into a more social context during the mid-1990s. Personal homepages linked to the websites of friends or community members, fostering a network of interconnected sites. In a space in which zinemakers are in opposition to the dictated mode of media publishing, the web ring offers an alternative way of organising webpages as curated by an individual entity, devoid of hierarchy and innate power structures from an overarching corporation, and places the power of promotion into the hands of the site-builders themselves, and extends to the members of the wider community.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 4.jpg|thumb|<del style="font-weight: bold; text-decoration: none;">480px</del>|Figure 4: Factsheet Five, the most common network zine. This zine’s primary function is to share and review other zines as a way to showcase the network, not unlike a web ring.]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 4.jpg|thumb|<ins style="font-weight: bold; text-decoration: none;">400px</ins>|Figure 4: Factsheet Five, the most common network zine. This zine’s primary function is to share and review other zines as a way to showcase the network, not unlike a web ring.]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 5.jpg|thumb|<del style="font-weight: bold; text-decoration: none;">480px</del>|Figure 5: A selection of early web rings, curated by the owner of the website to promote certain pages that may share similar themes, ideologies, etc.]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Fig 5.jpg|thumb|<ins style="font-weight: bold; text-decoration: none;">400px</ins>|Figure 5: A selection of early web rings, curated by the owner of the website to promote certain pages that may share similar themes, ideologies, etc.]]</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The importance of community, or the more favoured term, network, within the zinemaking practice is held in high regard. Due to its non-geographical nature or sense of place, the zines themselves act as a non-spatial network in which to foster this community. Emulating this concept of the medium as the community space itself, online communities also tend to reside within the confines of the platforms or forums that they operate within. For example, many contemporary internet communities dwell in parts of preexisting mainstream social media platforms such as Discord or TikTok, however, their use of these platforms is a more alternative approach than the intended use prescribed by the developers. Primarily using the gaming platform Discord as an example, countercultural communities create servers in which to disseminate and share resources through building topics within the server to house how-to guides and collect useful links to help facilitate handmade approaches to computational publishing practices. The nature of the server is to promote exchange and to share opinions on a wide array of topics, ranging from politics to typographical elements. These servers are typically composed of amateur users rather than professional web designers, fostering an environment where the swapping of knowledge and skills is encouraged. This continuous exchange of information and expertise creates a common vernacular, a shared language, and a set of practices that are distinct to the community. This not only develops the knowledge made available but also strengthens the bonds within the community, as members rely on and support one another in their collective pursuit of a more democratised digital space. In an online social landscape in which the promotion of self remains at the forefront, this act of distribution of knowledge indicates the existence of a participatory culture as opposed to an individualistic one, all united in shared beliefs and goals.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The importance of community, or the more favoured term, network, within the zinemaking practice is held in high regard. Due to its non-geographical nature or sense of place, the zines themselves act as a non-spatial network in which to foster this community. Emulating this concept of the medium as the community space itself, online communities also tend to reside within the confines of the platforms or forums that they operate within. For example, many contemporary internet communities dwell in parts of preexisting mainstream social media platforms such as Discord or TikTok, however, their use of these platforms is a more alternative approach than the intended use prescribed by the developers. Primarily using the gaming platform Discord as an example, countercultural communities create servers in which to disseminate and share resources through building topics within the server to house how-to guides and collect useful links to help facilitate handmade approaches to computational publishing practices. The nature of the server is to promote exchange and to share opinions on a wide array of topics, ranging from politics to typographical elements. These servers are typically composed of amateur users rather than professional web designers, fostering an environment where the swapping of knowledge and skills is encouraged. This continuous exchange of information and expertise creates a common vernacular, a shared language, and a set of practices that are distinct to the community. This not only develops the knowledge made available but also strengthens the bonds within the community, as members rely on and support one another in their collective pursuit of a more democratised digital space. In an online social landscape in which the promotion of self remains at the forefront, this act of distribution of knowledge indicates the existence of a participatory culture as opposed to an individualistic one, all united in shared beliefs and goals.</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4198:rev-4215:php=table --> </table>

Simoon http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4198&oldid=prev 2024-09-07T10:13:20Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:13, 7 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td> <td colspan="2" class="diff-lineno">Line 7:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Abstract ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Abstract ==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This paper explores the parallels between historical zine culture and contemporary DIY computational publishing practices, highlighting their roles as countercultural movements within their own right. Both mediums, from zines of the 1990s to personal homepages and feminist servers, provide spaces for identity formation, community building, and resistance against mainstream societal norms. Drawing on Stephen Duncombe&#039;s insights into zine culture, this research examines how these practices embody democratic, communal ideals and act as a rebuttal to mass consumerism and dominant media structures. The paper argues that personal homepages and web rings serve as digital analogues to zines, fostering participatory and grassroots networks and underscores the importance of these DIY practices in redefining production, labour, and the role of the individual within cultural and societal contexts, advocating for a more inclusive and participatory digital landscape. Through an examination of both zines and their digital counterparts, this research reveals their shared ethos of authenticity, creativity, and resistance.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>This paper explores the parallels between historical zine culture and contemporary DIY computational publishing practices, highlighting their roles as countercultural movements within their own right. Both mediums, from zines of the 1990s to personal homepages and feminist servers, provide spaces for identity formation, community building, and resistance against mainstream societal norms. Drawing on Stephen Duncombe&#039;s insights into zine culture, this research examines how these practices embody democratic, communal ideals and act as a rebuttal to mass consumerism and dominant media structures. The paper argues that personal homepages and web rings serve as digital analogues to zines, fostering participatory and grassroots networks and underscores the importance of these DIY practices in redefining production, labour, and the role of the individual within cultural and societal contexts, advocating for a more inclusive and participatory digital landscape. Through an examination of both zines and their digital counterparts, this research reveals their shared ethos of authenticity, creativity, and resistance.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&lt;div class="page-break"&gt;&lt;/div&gt;</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Introduction ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Introduction ==</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-4165:rev-4198:php=table --> </table>

Simoon http://cc.practices.tools/wiki/index.php?title=Content_Form:APRJA_13_Kendal_Beynon&diff=4165&oldid=prev 2024-09-05T08:30:54Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 08:30, 5 September 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Kendal Beynon &#039;&#039;&#039;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Kendal Beynon &#039;&#039;&#039;</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l78">Line 78:</td> <td colspan="2" class="diff-lineno">Line 77:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Works cited ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Works cited ==</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&lt;div class="workscited"&gt;</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carr, C. &quot;Bohemia Diaspora,&quot; &#039;&#039;Village Underground&#039;&#039;, 4 February 1992.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carr, C. &quot;Bohemia Diaspora,&quot; &#039;&#039;Village Underground&#039;&#039;, 4 February 1992.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l112">Line 112:</td> <td colspan="2" class="diff-lineno">Line 113:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zobl, E. &quot;Cultural Production, Transnational Networking, and Critical Reflection in Feminist Zines.&quot; &#039;&#039;Signs: Journal of Women in Culture and Society&#039;&#039;, 2009. https://doi.org/40272280.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zobl, E. &quot;Cultural Production, Transnational Networking, and Critical Reflection in Feminist Zines.&quot; &#039;&#039;Signs: Journal of Women in Culture and Society&#039;&#039;, 2009. https://doi.org/40272280.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&lt;/div&gt;</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Biography ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Biography ==</div></td></tr> <!-- diff cache key wikicc:diff:1.41:old-3989:rev-4165:php=table --> </table>

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